Essay on The Modernity of Bollywood Example For Students

Essay on The Modernity of Bollywood Film is a form of art that is formally used as a means of entertainment. Yet, through time making films are now a part of a massive industry. This paper will explore the importance of entertainment, specifically films that are made in India. The focus of this paper will be to introduce the arrival of film in India through different time periods and how several historical events have impacted the Bollywood industry. Moreover, once a general idea of how Bollywood development through time is explained, we will then establish why the Bollywood industry is unique and different from any other film industry in the world. This will also include the different factors which have influenced the Bollywood industry. Lastly, this paper will demonstrate how the modernization of Bollywood has had an impact on India. The approach of this paper will be through a historical retrospective, in addition to economic and anthropological aspects which will be used to demonstrate several concept within these disciplines. The economical concepts include capitalism, marketing and commercialisation. Furthermore, anthropological concepts such as social class, traditions and gender will also be discussed throughout this paper. Alfred Adler’s Inferiority Complex will be used specifically as a psychological theory as an explanation to an impact that has been resulted through the Bollywood film industry. As this paper will be focusing on Bollywood, it is crucial to understand what Bollywood actually is. Bollywood is the biggest film industry in the world and is also known as â€Å"the Hollywood of Bombay† (Nayar, 1997). It is commonly referred to as Indian cinema. However, the correct â€Å"definition† would be Hindi cinema, since the dialogue of the films released are in Hindi. There are several film industries within the Indian film industry. Yet, this paper swill specifically focues on the Bollywood industry and demonstrate the impact it’s had on people living in India. Arrival of Film in India The historical representation of film in India be classified in three stages. These stages would be the introduction film, the Golden Age and the modernization of Bollywood. Film was first introduced in India during colonialism, in 1912. Through film maing, the citizns of Inia had an opportunity to finally be free from foreign influence and they were now able to express their identity and illustrate their culture (Rao, 2007). According to Nasreen Rehman, a historian of South Asian cinema, the term Bollywood emerged during the late 20th century (Ghosh, 2013). Although Bollywood is known for producing films in Hindi, the first silent film called Shree pundalik released is actually regarded as a film in Marathi, and not Hindi. Marathi is the official language of Maharashtra, which is where the city of Bombay —now known as Mumbai— is located. This is why the first few silent films released are recognized as Marathi films, rather than Hindi films in the Bollywood industry. A lthough Shree pundalik is a film that was technically released in India, many have argued that this should not be considered India’s first film since it is basically a pictorial representation of a Marathi play and the cameraman was also British. In 1913, Raja Harishchandra which is recognized as India’s first full length feature film was released (Chanakya Desk, 2010). This film also gives a representation of the famous Indian epics Mahabharata and Ramayana. The influence of Indian epic poetry will be further discussed in this paper. Although, Raja Harishchandra is an important aspect to the history of Bollywood, Alam Ara was the first sound film to be released in 1931 in which the dialogue spoke is purely Hindi and this film had one of the greatest effects of the film industry (Chanakya Desk, 2010). It completely transformed the way future films were being made not only because of its commercial success, but because of the opportunity it gave directors to produce musicals. During this period, three fundamental historical events took place which was significantly involved with the plots of the films. The Great Depression, World War Two and the Indian Independence Movement all took place during the 1930’s to 194 0’s and many film makers depicted the social issues through film. This is where the transition from portraying traditional and cultural stories in film to realistic social issues and struggles took place. Corporal Punishment EssayMany of these individuals feel as though they cannot relate to these films anymore and they also compare the films that are now being released to those made in 1950’s. They point out that during the 1950’s directors such as Raj Kapoor who is known for making realistic films would actually represent India, with the good and the bad (Rao, 2007). Thus, Bollywood films have become unrealistic and unrelatable to a vast majority of Indians since these films to don’t portray a realistic aspect of India. A result of the modernization of Bollywood would be the sexualisation of women in songs. As previously discussed, songs and dance are crucial for a Bollywood film to be successful at the box office. Yet, the addition of item songs in films are progressively growing (Mohanty, 2010). An item song –also known as item number- is a song which has nothing to do with the plot of the film. It basically showcases a woman, sometimes a man, in revealing clothing dancing to a song for the pleasure of the male or female audience. The woman will dance in a seductive and sexual manner to please the audience and through this, she is being sexualized. She is being exploited by the film industry to and is being subjected to sexual objectification. Interestingly, the term item is actually Mumbai slang for a sexy female. In these item songs, many women are willingly being portrayed as sexual objects who are only present for a man’s needs. Through a psychological analysis, Alfred Adler†™s Inferiority Complex theory can be used to answer why these females are approving of being portrayed in a sexual manner. Through Adler’s perspective, women have low self-esteem and self-worth since they have always been constantly discouraged to feel equal to a man. This leads to the feeling of inferiority to men. Thus, through these item songs, woman will try to dominate men through seduction and manipulation. Works Cited Andrew, G. (2001). Baz Luhrmann (I). In Guardian News and Media. Retrieved from: http://www.theguardian.com/film/2001/sep/07/1 Ghosh, P. (2013). Bollywood At 100: How Big Is Indias Mammoth Film Industry? In International Business Times. Retrieved from http://www.ibtimes.com/bollywood-100- how-big-indias-mammoth-film-industry-1236299 Gopalan, L. (2008). Film Culture In Chennai. Film Quarterly, 62(1), 40-45. doi: 10.1525/fq.2008.62.1.40 Gupta, C. D. (1980). New Directions in Indian Cinema. Film Quarterly, 34(1), 32-42. doi: 10.2307/1211852 Gupta, C. D. (1969). Indian Cinema Today. Film Quarterly, 22(4), 27-35. doi: 10.2307/1210307 Mohanty, P. (2010). Bollywood item numbers: from Monica to Munni. In Pixelonomics. Retrieved from http://www.pixelonomics.com/bollywood-item-numbers-monica-to- munni Rao, S. (2007). The Globalization of Bollywood: An Ethnography of Non-Elite Audiences in India. Communication Review, 10(1), 57-76. doi:10.1080/10714420601168491 Tesson, C. (n.d.). Bollywood. Encyclopedia Britannica. Retrieved from http://proxy4.vaniercollege.qc.ca:2105/encyclopedie/bollywood/